Luc Besson Adds A Recent Meaning to French Filmmaking
Last night when I was reviewing my DVD collection, which to my stupefecation has reached over a 100, I came across this DVD of "The Professional." Then I remembered taking the DVD when my eagernes about French film director Luc Besson started in the late 1990 with the release of "Joan of Arc." Besson, by the way, is the director of "The Professional," which espoused the superb French actor Jean Reno and the then 12-year old Natalie Portman. I decided to watch the movie, and again witnessed myself stimulated with how Besson makes his films. The beautiful movie looked like a masterful Hollywood blockbuster, totally different from the indie-type of French art films that we usually see.
However, Besson's way of filmmaking has over the years divided plenty of French movie fans-- on one side are fans commending his talent while on the other side are critics calling Besson's work a complete sell-out of the French film tradition. If you will look at Besson's other works, like "The Fifth Element" and "Le Femme Nikita," it would be quick for one to conclude that these movies had all the basics of a Hollywood action flick.
But in my personal opinion, I believe that Besson has every right to make movies according to his personal artistic thinking, without being manipulated by public opinion and cultural tradition. Besson, I believe, was able to create films that were enjoyed not only by the French, but by anyone who generally enjoys movies.
